It all depends on how we look at thingWelcome To A Whole New PlanetMarch 28th, 2008 | Corey Barker
Hi everyone and welcome to the all new Planet Photoshop. I am very excited about this new look and I want to give a big shout out to our web designer, Brett Nyquist, for his hard work on making this new site a reality. We have expanded the blog space to bring you even more industry news every day, and of course a new video tutorial every week. The very best part is that it is all absolutely free. For you first-time visitors, I want to welcome you and hope you enjoy. For you loyal ‘Planeteer
s’ out there, I hope you enjoy this new look and easy-to-navigate content. Notice also that the blog now allows comments. Please feel free to drop me a line. Well, I hope you all have a great Friday and for those of you who will be at Photoshop World in Orlando next week, make sure you stop say Hi! See you then!

Watch each week as “The Photoshop Guys” (Dave Cross, Matt
Kloskowski, and Scott Kelby) from the National Association of Photoshop
Professionals (NAPP) share
the hottest Adobe Photoshop tutorials, the latest insider tricks, and
the coolest timesaving, job-saving shortcuts to make your time in
Photoshop more productive, more efficient, and more fun.
Now entering its second year as one of the world’s top-ranked video
Podcasts, new 30-minute episodes of NAPP TV are posted each Monday, and
include the latest Photoshop news, step-by-step tutorials, interviews
and tips from the leading Photoshop gurus, and a weekly Photoshop
contest with prizes ranging from Wacom Tablets, to Epson Printers, to
iPods, to full conference passes to Photoshop World. If you’re an Adobe
Photoshop freak, don’t miss a single episode of “The Photoshop Guys” on
Photoshop User TV.

All digital images can benefit from some sharpening. Translating the continuous tones of the real world into a mosaic of square pixels will inevitably introduce some softness into an image. With digital captures, this is more noticeable with RAW files because cameras typically apply some amount of in-camera sharpening to JPEG captures but not to RAW captures.
Start-up lets you fix focus after snapping the shutter
Posted by Stephen Shankland | Post a commentIt’s one of the oldest, most common problems in photography: that picture you thought would be the prize shot is out of focus.
Refocus Imaging, a Silicon Valley start-up, thinks its technology can be used to make cameras that can fix that problem–after you take the photo.
By fitting
Last updated Apr 8, 2005.
When you have a layer selected,
you’ll notice that you have two sliders available for your use at the
top of the Layers palette. One, which you’re probably familiar with,
is Opacity and the other, which you might not be familiar with,
is Fill. While opacity adjusts how opaque a layer—and all of
its contents—are, Fill adjusts just the opacity of filled shapes in
the layer. The minor—but important—difference between the two is
while layer effects are effected by layer opacity, fill doesn’t effect
them at all. This feature is tremendously useful in many respects. The
following steps will demonstrate this feature so you can have a better
understanding of how it works:
Figure 1
Rectangle With Fill
This will add a drop shadow
to the rectangle shape in your image. So far, so good.
Figure 2
Changing Layer Opacity
Figure 3
Duplicating the Rectangle
Figure 4
Showing off the Transparency
As you can see, because both
red rectangles are 50% transparent, you can see through them to the
green rectangle in the background. At this point both rectangles look
the same.
Figure 5
Changing the Layers Fill %
As you drag that fill slider
down, you should immediate notice the major difference between opacity
and fill.
Figure 6
Opacity vs. Fill
The rectangle at the top has
50% opacity and 100% fill while the rectangle at the bottom has 100%
opacity and 50% fill. While opacity adjusts the opacity for everything
on a particular layer, fill only adjusts the opacity of fills while
leaving layer styles untouched. In a real-world environment, I find
myself using this feature—to accomplish one particular goal or another—in
nearly every project. As you can see, Fill offers you a great
way of altering the opacity of a layer without effecting layer styles
that you’ve added.
DIY Ball-Bungee Speedlight Soft Box Mount
I don’t use my soft boxes very often, as a shoot-through umbrella is a more efficient diffuser, cheaper and more portable. But a soft box does give a nice, rectangular specular highlight, without the visible ribs of an umbrella.